A short essay about what I know about ebooks

One of my daily work routines is to review the RSS feeds, Google alerts, industry emails and newsletters for news about ebooks.  I've done this for years and can't believe some of the articles about ebooks that are now appearing all over the world.  Somedays I laugh because many of them have been covered in this blog over the past couple of years, let alone all the established bloggers and writers around the world who are much better at this than me!

Actually if you look at all the articles I've collected or distributed over the eight years we've been working with ebooks some of the information does not change. The stories are essentially the same.  An industry update here and there.  A new ebook vendor.  Different technology.  But often it's the same old commentary. Only the date has changed.

And don't start me on the prediction the book is dead.  It's not dead.  It's just the consumer has a choice of format these days.  And publishers, booksellers, library suppliers are all adapting to the digital world.  I'm over the naysayers.  Preach somewhere else because I'm not listening. 

Anyway, I thought today I'd do a thought dump about what I've learned about ebooks.  Feel free to comment and tell me what I've missed or what you think I've got horribly wrong.

1. Ebooks are convenient and immediate.  The click of a button and you have something to read.  Great for Award Winners, highly publicised books, events and current affairs.  Let's not forget the savvy consumer of today who wants something to read and they want it now!  And as we've all realised by now, an ereader is great for holidays, no lugging heavy books.  Load up the device before you go away.  Depending on how you purchase your books, you can buy more ebooks if you run out.  We took the laptop to Venice last year when we lived there for a month and even though we know the bookshops, their English selection is extremely limited (and I've read all the books set in Venice already!). Having access to ebooks was great, convenient and easy.  A real no-brainer when you're travelling. The downside?  Well for one, this is not iTunes.  Every click is committing time to read the book.  And two, credit cards can easily get a good workout if you're on a roll.  Automatic debit can be a killer!   And lastly, just how many of your downloads are you now going to read.  Think about that when you're clicking away because we're tracking your purchasing choices whether you like it or not. 
2. Simultaneous release anyone? Timing of releases has improved over the years with more publishers doing simultaneous release.  Some still use "windows" and while I can understand this some days, on others it is simply a case of not giving the consumer, the reader, the user what they want.  "e" is another format.  There will still be hardback (perhaps in greatly reduced numbers), paperback, large print, audio, multimedia, apps etc.  "e" is another format and over the years publishers will get to know how their content is being used by consumers and make better commercial decisions based on the market, historical data and access to information
3. Publication dates are not to be trusted.  As more publishers digitise their backlist, they put their products into the marketplace with a new publication date.  New in "e" is not the same as a new release.  Publishers need to spell out this in the descriptions because consumers are being cheated.  My blog post from April 2010 discusses this dilemma. 
4. Pricing is a mess.  Publishers you let Amazon determine the $9.99 price point and in many ways it's a killer.  But it's also worked in the US market.  Look at the downloads at that price versus other formats.  What does it tell you about your readers and what they are willing to pay?  Publishers play with pricing but do the maths and make the appropriate decisions for your content, for your author and the sales channels.   As a reader, I've realised my threshold is less than $20.00 so those Australian publishers that are charging the same price for the "e" as the "p" aren't getting my ebook sale.  There are so many arguments for pricing - higher, lower, distribution costs, production costs, royalties, margins - and I can listen to these for my "day job" but as a reader, I make very clear distinction about a) what I like to read in "e" and b) what I'm prepared to pay for it.
5. What you read it on can be irrelevant.  You don't need a specific e-reading device.  Got a laptop?  Got a mobile?  Technologies are converging.  Devices perform multiple functions.  Loyal to your iPad, great.  But if you want to use a specific device and have acquired your Kindle, good for you (the brand name is still the most recognisable to your average consumer).  Sony? Kobo? Whatever floats your boat.  Cloud technology is here and now.  Use whatever works best for you.  Just do your research and remember not all ebooks can be transported from one device to another. 
6. Technology can still be problematic: for me, it's using an old e-reader!  Battery life has improved since the Sony PRS700 and there are multiple devices available today that have a much longer run.  But I will still list forgetting to charge a reader as a downfall.  Having your battery die in the middle of a good read because you have no opportunity to recharge it is simply awful.  There is nothing worse than a device shutting down on you and you have no replacement reading.  Think long-haul flight.  That's where it's done most damage to me over the years!  And don't start me on the turning off the e-reader for take-off and landing.  I'm not a good flyer so I like to distract myself.  Reading has always been a way to do it, particularly with landing.  More and more articles about ebooks reference this, but it's not new.  We are reading using technology and our aircraft crew will always ask us to shut it down.  And while there are some Kindle and Apple devotees who use plastic covers on their devices while taking a bath, I'm not with you sorry.  I don't want to take my e-reader in the bath.  I don't want to accidentally drop it - whether in water or on a hard surface.  It just does not work for me in this situation no matter what you say. 
7. Rights: one of the biggest issues with ebooks, the reluctance by publishers to give up territorial rights for their ebooks.  I can see ebooks going "world rights" and placed with all the vendors.  Why not revenue share with your print distributors in each territory to recognise the work they do promoting the author, the content and more.  Distributors and publishing partners have a key role with "e".  This should be recognised and not have them shut out.  Before you know it, there won't be a Frankfurt rights fair.  No one will want to engage if there isn't something in it for them. 
8. Formats and layouts are still problematic: Format extensions are confusing for those readers who don't know any better.  Readers want to read an ebook but don't know what they are looking for when they move away from one of the more established ebook vendors they've been using and go direct.  The download process can be confusing for them.  I had a friend trying to purchase some books from a US publisher's site and had no idea whether or not her iPad could read any of the device formats listed. And as for layouts, well I still have ebooks with "dodgy" layouts.  This was covered very well in an Open Letter to publishers on the Teleread site a few months ago. While I've adapted to reading that way over the past few years, it still annoys the hell out of me.  I don't want text to drop away or a handful of words justified across the page unreasonably.  Some of the hypens are poorly done and some text goes a little funny at times.  Don't get me wrong.  It's improved over the years. But it still needs work.
9. Get the metadata right: Publishers can't get their print metadata right so how on earth do we expect them to get the ebook metadata perfect?  (Of course they will argue this with me but booksellers and bibliographic agencies around the world will back me up on this one) In a world where we need to search and discover our content, we need to have the correct path laid by publishers so we can find it in a click or two.  And as for one e-ISBN across multiple platforms.  One word - nightmare.  If you want to sell ebooks across vendors and you've used the ISBN as your primary identifier in your database, you need to find another solution.  And it will cost you.  Booksellers and online sites - get ready.  It's not pretty.
10. Profiling & Selection of ebook releases: I'm signed up a few ebook vendors and they send regular newsletters about what's new in "e".  I don't want simply what's new in "e".  I want to see my favourite authors, my favourite subjects.  I don't want to see a new ebook about Donald Rumsfield or travel guides to places I don't have on my wish list.  Ebook vendors need to profile my interests.  They can see what I download.  Now make some recommendations based on that.  Ah, you've got my attention at last.
11. Ebooks are established in academic libraries.  Search and discover content through your academic library.  Electronic journals lead the way, ebooks followed.  Information is at your fingertips.  Patron driven demand is exciting.  Scholarly and reference works are best served in a digital world.  Updates can be better managed electronically.  Access, availability, wonderful for research.  It all makes sense.
12. Etextbooks?   I'm not yet convinced.  Enhanced ebooks for students, now that excites me.  Just check out a Wiley textbook demo on Blio if you need convincing.  Questions, answers, rich media content.  It's all there for the taking.  Publishers need to hop on board.  It will be an exciting ride for the students of tomorrow.
13. Consumer choice is important.  As I mentioned above, there are some things I like to read in "e" and there's others I enjoy in "p". I can loan the "p".  I can show off the "p".  The "p" has cover-art, often beautiful at times.  My friends know what I'm reading when I'm reading the "p".  I will use bookmarks and I will turn pages.  And I will enjoy doing that.   I will always be loyal to the "p".  In fact, after a few years reading ebooks, it's my preference now.  But I also get books cheaper through my workplace - sometimes half the price.  If I wasn't paying staff rates for my books, I wonder whether I'd have a different point of view.  I'm guessing I would but that would be on price, not on format.  I want my historical fiction, autobiographies, biographies and history books in print.  I want them on my bookshelf.  I want to turn the pages and look at the images.  I want to share.  But I will try new authors in "e" and occasionally, very occasionally, I will treat myself to both formats. 
14. Consider the booksellers - both online and bricks & mortar.  These guys have been with you for years and many of your authors would not be where they are today without booksellers promoting their products, having events in-store, and more. There is so much I could write on this point alone.  Pros and cons.  Politics and issues. Consumer buyer behaviour.  Pricing, supply, industry matters and more. For now, I will simply say consider the bookseller.
15. Consider the libraries, the librarians, the library suppliers.  I could get really rough on this one.  As you know, I work for the leading library supplier in the Australasian marketplace.  We've heard it all before from our publishers and ebook vendors.  Librarians want to play in the digital sphere.  They are playing.  Many have been doing ebooks for a long time.  But publishers don't like having something available free through a library at the best of times.  Ask Harper Collins about ebooks, libraries and boycotts due to changes in ebook policies and access.  There are ways to work through these issues and it seems single use is the way most publishers are comfortable with.  But tell the reader they can't borrow an ebook because it's already on loan.  It's digital for crying out loud.  There are models that can deal with this.  Ask EBL.  Just don't shut out this part of the market.  They are important, they have one hell of a role with reader recommendations, access and information.  
16. And consider the role of the publisher.  As a publisher, you will know what I'm saying.  There's a lot of articles about this already.  What do you bring to the table in a digital world?  Authors and agents can deal directly with ebook vendors.  They can choose to sell the books direct.  They can set the price.  They can do the work. And they can make more margin. It's a reality check for all of us.  Publishers need to be looking at their strengths and weaknesses too.  

 When it comes to the digital world, there are still hurdles to face, difficulties to encounter, issues than may remain unresolvable, but we've got one hell of a publishing industry.  Whether you are an ebook reader, an author, a publisher, a library, or a reseller, we need to keep engaging, working together and finding a model that's right for us.  Those in the industry have a role to play and there may be some that don't want to be involved in the "e" world.  We keep saying they have to in order to survive in the digital age, but is that right?  It's what we want to believe...

At the end of the day, people have different experiences of reading, loaning and sharing books.  There are Luddites and there are those that are already committed to e-reading.  Does one format have to win over the other?  Consumer choice is important, pricing and availability is important.  And whatever you do, publishers need to get their product information and metadata sorted.  In an online world, anything sloppy and incorrect will cost you.

The above points are a combination of the professional and the consumer ebook world.  I can extend on some points, some are a political minefield, and I've probably missed others.  But it's the Ramble for today.  And I'm exhausted!

Ebook vendors still have a lot to learn about their customers

Overseas media has been reporting on the "millions" of iPads, Kindles and other reading devices sold this Christmas.  I must admit, it was the first time in years of reading ebooks that family and friends started talking to me about getting an e-reader.  At work I'm asked every other day for my opinion on what device someone should buy, but it's such a personal choice.  I still use my old Sony ereader but I bought my partner the new Sony Touch and it's being used quite frequently thanks to the take-up of the device while we were on our extended holiday in Venice.

At a certain point, the physical books ran out and it was only a few clicks on a website to download some new and recent releases.  The interesting thing, it wasn't an ebook/online vendor that was chosen by my partner - it was the US publisher who sold the content directly from their website.  It didn't take long for the words "bookshops are going to die, aren't they" to be uttered as the transaction took place.  But here's where I disagree - albeit to a point.

Bookshops and libraries have such an important role to play for book lovers.  They recommend, they have the items on their shelves, you can browse and you are not reliant on metadata to make a purchasing decision.  There's nothing like picking up the book and flipping through it.  As always, the jacket grabs my eye first, the author's name, the title, the picture, and then I read the blurb.  I flip through it.  I've got an idea of whether or not it's my kind of book.

With ebooks we're reliant on the image and the metadata which can sometimes drive me up the wall.  Released this month often means "it's eight years old but like all publishers active in ebooks, we digitised it and released it as a new edition, technically it's available this month so we can say it's new, grab your attention, and you buy it, yeah lucky us, we get the sale and you get an older book.  Sorry did we say it was new?  Of course we did, it's new in "e"!" Yeah, thanks publishers.  As you know from this post in April 2010 - I don't appreciate this.  Publishers please put it somewhere in your ebook data the book you are saying is "NEW" is in fact new as an ebook and it was originally published in year x.  We don't want dishonesty in our transactions with you and if you want us to engage in reading and support of an author, do the right thing, and put the right information in the metadata. 

Speaking of which, I'm now officially jaded with the ebook vendors I choose to buy from.  And this is where Amazon could teach them a million lessons.  Just because I buy ebooks, doesn't mean your weekly or monthly "new releases" email should be so general it's almost unappealing.  Haven't you noticed the sorts of books I read?  Build up a profile on me as your customer and start targetting "new" releases better.  Apple does it brilliantly.  I can't begin to tell you how many songs on iTunes I've downloaded because of their recommendation - whether it's on purchasing information from their other customers or it's on the Genius programming.  It's A LOT.  And I've enjoyed being introduced to new bands along the way. Of course the difference is it's a 3-4 minute entertainment experience whereas a book can be weeks, but the point needs to be made.

Ebook vendors should be noting that I purchase historical fiction.  Let's nut this down a bit more.  I read historical fiction set from the Plantagenets through to the Tudors.  I read authors who write about Venice between the 15th and 19th centuries.  I read most books set in medieval and Renaissance Italy, particularly Tuscany.  I read fictionalised accounts of lives of artists, poets and writers.  And when the mood takes me, I like to escape to Ancient Greece, Rome or Egypt.  So with all the technology you have available, do I want to know about new ebook releases from Jack Higgins and Colm Toibin representing action and mystery?  Hello.  You've lost me.  And no, while there may be romance in the historical fiction I'm reading, that doesn't mean I want every Harlequin release.  And no, putting them in a bundle, won't entice me either. I do not want the traditional romance genre. And yes, when you send a "Focus on New Historical Fiction" ebooks, that was fine.  But did you need to add all the historical romance books too?  Ebook vendors have A LOT TO LEARN about consumer reading behaviour.  A new ebook release is just that.  But for goodness sake, match it to the reader.  It's what booksellers do.

Dialogue with bookseller.  So Rachael, how did you like the last Sarah Dunant book?  Didn't really work for you?  That's a shame.  Have you read anything by Marina Fiorato.  She's got a new book out "The Botticelli Secret".  I'm sure it's right up your alley.  In this particular case, I've already got the print book, because yes I do like reading Marina Fiorato and I enjoy having some books in print to share with families and friends who may be interested.  Of course, I could have bought the ebook.  Afterall, it's Allen & Unwin who has published the title here - a publisher I admire and respect because they lead the way, particularly in "e" - and their website links me to their ebook vendors.  If one of the ebook vendors had just thought to alert me to the release of the ebook, I may have considered it.  But no, I'm happy to have the print in this case ... BUT as a consumer I would have liked the choice and with so many books published every month, someone needs to help me navigate that.  Getting on ebook portals and trying to search for something I'd like to read can be a real drain at times.  Their searching abilities are poor.  The metadata average.  They don't understand the consumer. 

The hard part is, there's a MASSIVE wave of consumers now jumping on the ebook bandwagon here in Australia.  They have their devices but they haven't really thought about acquiring content for them (the new Sony for example didn't even reference the Sony library because it's only in the UK & US!) Yes, consumers know about getting the public domain classics for free and there will be a zillion downloads for these.  For a while they will experiment with ebook portals and click, click, click.  But what are they reading and how can their purchases be influenced?  Amazon and Apple know how to do it.  It's time for the other ebook vendors to lift their game.  And for publishers to support them with accurate metadata that educates the consumer, encourages a purchase, and more importantly another one in the future.

The uproar over ebook prices

Much has been said about ebook pricing, particularly in recent times as Amazon is forced to move to agency pricing.  And haven't their customers revolted!  Not surprisingly - we've all been getting books at ridiculous prices.  Why would we buy hardcovers or paperbacks when they are several times the price of the ebook.  Fine, if you are like me and you want the printed work as the PREMIUM product, something to share, something to keep, something to treasure - and not a digital file!  But the US 9.99 price point did create demand.  Amazing demand.  Even at 11.99, 12.99, 14.99 the price points are still good.  Where is the balance? 

I must say ebook pricing is getting ridiculous.  The US Sony Store has Tony Blair's My Journey still available for US 9.99.  What is absolutely ridiculous however is local pricing.  Local site Readwithoutpaper.com has the book for $35.58 - that's what the local distributor has set the price at.  AU $35.58.  On the Random House Australia website the Hardback is $59.95.  The ebook is also $59.95.  Sorry guys, you know I love you but where do you think I ordered the book from?  (Yes I know, I usually order from work at staff rates but when it comes to ebooks it's a different kettle of fish).

To make matters even more confusing, ebook vendors aren't familiar with how bibliographic data works.  For all of us in the booktrade, we've had to sigh, heave, yell, scream, moan and groan over what the metadata looks like.  We've worked through 100s editions and versions of the Harry Potters and Dan Browns of this world.  It is confusing.  It's awful.  And now you're yet another victim of it.  On today's Sony newsletter I saw a book entitled Cleopatra.  For those of you that know me, I have several grand loves.  Tudor History, War of the Roses, lives of famous poets and painters, and Ancient History - particularly Egyptian.  The first thing I do is link on the title and what happens when I get into the Sony Reader Store - two different prices for the same bloody ebook. It's an EBOOK people - it's not a hardcover or a paperback.  There should be one price UNLESS the book specifically mentions an enhanced edition.  And on old Sony readers, an enhanced edition doesn't do anything.  It's an electronic reader only. 

This is just going to get worse folks.  It's bad enough having "e" and "p" prices all over the place, locally and internationally.  More mature ebook markets like the US doing crazy things, the UK market having a play, and then us not wanting to cannibilise print in any way.  it's going to happen.  The consumer will decide how they want to read.  We've seen it in the library market for years.  Library budgets for print massively cut back so they can purchase more ebooks, online databases and journals.  We've HAD to work with ebook vendors to survive.  And it does come with a cost.  Economically you operate with different margins - or not at all.

When will publishers start looking at price points, look at the readers, look at the business models, and find something that helps SELL the work - regardless of format.  Give the reader what they want - at a price suitable for the product offered.  Or lose the sale.

In industry alerts today there was an upcry when Amazon started listing the publishers ebook prices in the UK.  "Increase in piracy" "people will go elsewhere" "ban the agency publishers".  The peasants are revolting folks.  But publishers, you've only got yourselves to blame.  You got out the content to the market, played with the big boys, let them build up the demand (and where demand had never gone before!) at a price point soo unbelievable it became mainstream, then said sorry and clawed it all back. 

Personally I think the price points are way too high locally - but that goes for the printed product too.  I've been in this industry a long time and I've seen the picture from all sides.  But price it better and sell more.  Be prepared to play, be prepared to give up margin, but don't lose the sale.  Don't become irrelevant.  Adapt or die.

Oh, and try not to piss off the customer.  In the digital world, they have more power than you know.

Is there any other news today?

It's been several weeks since I put up something new on this blog. Back then I was rambling about new ebooks not really being new, but new in e. Today there is no ramble. In fact, there's really no other news today. Other than the one story. Yes folks, it's all about Apple. The iPad finally went on sale here in Australia. At one point today the top 5 stories on the SMH website were all iPad related. Facebook friends are putting news of their iPad purchase in their status for all to see and comment. Industry colleagues have rung today to see if I had one and what did I think. And one of our sales representatives popped into my office and asked "big day today, where is it?". Lo and behold I will disappoint you all. I haven't got one. Mind you, I haven't got one on order either. I'm still reading on the plain old Sony e-reader. How dull it looks now in comparison. Look what else is out there. Colour, magic, Apple. It's a new world. So what's wrong with me? Does this mean I'm an alien? Afterall I'm still reading p-books. Yes, you remember. Books. Printed books. After a year of reading ebooks I've decided I actually prefer to read the physical book. Yes it's heavier, but the batteries don't die out, I can read it in direct sunlight, I can read it for the full time on a domestic flight, and of course I can read it in the bath without fear I'm going to drop it and waste hundreds (if not thousands!) of electronic purchases stored on the device. (OK, they are backed up, but let's not go there today). But then I haven't got an iPad. Would my world change dramatically if I had one? Or would it eventually be treated as yet another device. Another gadget. I don't know. But I do know one thing. Congratulations are in order to Apple for making the iPad a subject on most people's tongues. Regardless of age, just about everyone knows about the brand and their new product. Congrats to Apple for creating such extraordinary demand for their devices. The publicity, the promotion, the marketing, the commentary. Apple didn't really have to put a lot of materials out there. And I had to laugh when my email came through today that had the simple heading of "iPad is here". They really didn't need to do much more than that. So today was iPad day here in Australia. I expect it to dominate conversations for the foreseeable future. And I will think about my alien status and the changed world of today...

A new e-book isn’t always new

As a library supplier, we have faced this issue since we started selling ebooks years ago. Libraries wanted to know about all new ebooks. But many publishers are digitising the backlist first then releasing as “new” in e-format. It has tricked many of us particularly when the pub date is a current one but the original book was published in 1989. There are a small percentage of publishers that publish e and p simultaneously. They know their market and the preference for libraries to purchase in the format of their choosing. But when we work off publication dates and publisher metadata, when it comes to e - what exactly is a new title?

It’s something that I’ve discussed professionally (a “new release” in ebook format is separate to new in e) but privately I experienced it for the first time recently. I usually scan ebook sites for “new” titles. On the Sony site I sort by date and then pick something that will suit my ebook reading nature. By that I mean, something I can read, hopefully enjoy, satisfied I will only want a digital file (not a “keeper” or an author that I would like to collect their physical works on our wonderful floor to ceiling book case at home) and something that I’m unlikely to want to share with friends – afterall you can’t lend the ebook to someone!

Separate to the explanations to customers over the years as a consumer I must say I felt absolutely ripped off when the new book I purchased on the Sony ebook portal A Favorite of the Queen: The Story of Lord Robert Dudley and Elizabeth I published on 1st March 2010 was most definitely NOT published this year in it’s physical form. The book was originally published under the title Gay Lord Robert (not surprising they changed that title as the word “gay” took on a different meaning over the years!) and the imprint page on the ebook clearly showed the book was published in 1971. That explains the poor editing and uninspiring writing!

Where did it say in any of the metadata, “originally published in X”, “reissued in ebook format”, “introducing this work to today’s e-reading generation”. Something that gave me an indication the book was old. And not one or two years old, but 40 friggin years. Forgive me for never having read Jean Plaidy before but surely publishers and ebook vendors need to take some responsibility here. Perhaps there should be two dates available to ereaders – originally published in and released in ebook format in …

I can’t begin to tell you how disappointed I am. Reissues are not new releases, new in e is not a new title. At least when trade houses release ebooks three months later (for those that believe that is a suitable time frame – I’m most definitely not one of them) the book is still in our minds. It is still the same year. None of this 40 year time span.

Of course my preference would be simultaneous. If I want to collect, share and treasure I will buy the print over e. But for other books I want to read the ebook.

Publishers, ebook vendors, everyone who is interested in the digital world, please note as as a consumer I'M NOT HAPPY – publisher metadata and the blurb itself should have given something away. A trigger point as such. For the record this is what is listed:

Torn between her heart's passion and duty to her kingdom, a young queen makes a dark choice...

Robert Dudley, Earl of Leicester was the most powerful man in England during the reign of Elizabeth I. Handsome and clever, he drew the interest of many women--but it was Elizabeth herself that loved him best of all. Their relationship could have culminated in marriage but for the existence of Amy Robsart, Robert's tragic young wife, who stood between them and refused to be swept away to satisfy a monarch's desire for a man that was not rightfully her own. But when Amy suddenly dies, under circumstances that many deem to be mysterious at best, the Queen and her lover are placed under a dark cloud of suspicion, and Elizabeth is forced to make a choice that will define her legacy.

The metadata shows:

• Published by: Three Rivers Press
• Publish Date: March 01, 2010
• Print ISBN: 0307346234
• Filesize: 2.60 MB

And the author info (on a separate tab)

JEAN PLAIDY is the pen name of the prolific English author Eleanor Hibbert, also known as Victoria Holt. More than 14 million copies of her books have been sold worldwide. Visit www.CrownHistorical.com to learn about the other Jean Plaidy titles available from Three Rivers Press.

When it comes to Tudor history I’m loyal to Alison Weir, Alison Plowden, Antonia Fraser, Margaret George, Philippa Gregory and if pressed I might just throw David Starkey into the mix. I shouldn't have tried something new. Sorry old. New only in a format. Anyway, I clicked away because I thought it was new, the publisher got the sale. But live and learn folks, live and learn....

The ebook reading experience, Apple, Kindle et al

I must say I'm enjoying reading all the reviews of the iPad since its U.S. debut on April 3rd. One of the reviews I liked the most was from the LA Times where they spoke about differences between the Kindle (being the market leader) and the Apple ipad (the choice of the next generation) in terms of the book reading experience.

While it might not be on the top of the lists for some people, personally I was really glad to hear about the traditional page designation, that you could view two pages across the screen (if it was your preference), and that Apple has a grasp on what it's like to turn a page. The process of selecting a book, reading it and turning to the next page is part of the established reading experience. At least those of us of a certain age! As those of you who have followed this blog since the early days - particularly my friends and industry colleagues on Facebook (where I have it linked) - you may remember I wasn't a fan of the delay between pages on e-readers, the screen going black or the words fading out and then replaced by new ones. You were conscious you were reading something electronic, something that was processing data, something different…

E-readers also display the number of pages left – which of course vary depending on what font size you were reading with in the first place! The Sony PRS 700 displays the data as your current page number of the total page count. Amazon's Kindle does a percentage bar. To the reviewer in the LA Times, this was “data” but I don’t necessarily agree. You want to know how you are going whether it’s number of pages or percentage read.

Yes it can sometimes be discouraging when reading books like “Pillars of the Earth” – some 1,000 pages in its printed form and much more in its electronic! Luckily I was caught up in Ken Follett’s story otherwise I would have groaned at the thought of another 1,000 pages to go. However I must admit there has been the odd book where I’ve noted what page I’m up to, the number of pages in the ebook, and thought “how am I going to make it!?”. Then again that’s no different to the physical book. But I’m more prone to flip the pages of the printed book and glance across the text to see if I want to continue with it. I’m not particularly good at doing that on the e-reader because I have such concerns about losing my page. I’ve done it countless times. While it remembers where you end off each time – starting up exactly on that page when you switch the device back on - when you start going backwards and forwards through the text it starts to get really annoying if you didn't note where you started. I’ve had to search for text to find my original location - otherwise it could be hundreds of page turns to get back to where I was.

Anyway, I’m rambling.Back to the subject at hand.

Another item that is consistently mentioned with e-readers is the glare. Apparently one of the strengths of the Kindle is its non reflective screen. I don't have a Kindle (never liked the look of it myself) and I don't like the "clunkiness" of some e-readers like the ECO/Hanlin. The touch screen of my Sony is fine (was relatively unique at the time of purchase) but the glare from lights is dreadful.

In comparison to the multi-functional iPad, regardless of glare, touch-screen, weight etc all e-readers on the market have now paled in comparison. They are the beta model. They look boring, dull, and grey. I looked at the e-reader yesterday and the shine had gone. It looked like something that was going to end up in the rubbish heap.

Interesting to read Mike Shatzkin's comments on the iPad, particularly the weight of the device and the whole process of search & discoverability within the various ebook portals. iBook has a long way to go with content and with their data management. Finding what you want to read is half the battle and I can perfectly understand where Laura Dawson comes from every time she mentions metadata. Ebook vendors neeed to understand the reading experience and what a reader is looking for. Help us find what we like! I beg you. In the meantime, Mike doesn't believe the iPad won't put all other e-readers out of business. He believes it will help grow the market but "the makers of lighter and cheaper e-ink devices don’t have to leave the field just yet." Will be interesting to see how it all pans out for those readers of ebooks, their chosen device and the reading experience they prefer.

The impact of the agency model

Much has been said about Apple's agency model and the impact on ebook pricing. Look at what happened with the Macmillan/Amazon clash a few weeks ago. Macmillan wanted to change it's trading terms with it's largest customer and move towards the so called "agency model" for ebooks. The feud between supplier and customer received an amazing amount of publicity in general, trade and business media. I read much for and against each party in the altercation. Both sides had their supporters. There were Amazon loyalists (and by God they are a loyal bunch!) And there was the publishing and bookselling community who was glad to see someone taking back some of the power they shouldn't have given away to their largest customer in the first place. Granted, ebooks wouldn't be where they are today without Amazon firing up the Kindle. And I shouldn't really think of them as a customer. They play so many roles that my head spins with what Amazon controls - afterall, they are the supply chain leader, printer, publisher, ebook influencer, visionary. I could ramble on but today's blog is actually sharing the letter that Sony e-reader customers received today:


Dear Reader Store Customer,

The publishing industry is turning a page and so are we.

Beginning April 1st some major publishers will be instituting a change in the pricing of eBooks, which puts decisions on eBook pricing firmly in their hands. As a result, prices of bestsellers and new releases from these publishers will be changing on the Reader Store, and during the transition time, some titles may be unavailable. Although most of these eBooks will be priced from about $12.99 to 14.99, there will not be a broad pricing change across the Reader Store. In fact, new releases and bestsellers from other publishers will still be priced at $9.99.

Starting a new chapter can be a good thing. With this change, you may see more of your favorite books available in eBook format at the same time they’re released in print. Book lovers like you are driving a revolution in digital reading and the Reader Store is committed to providing you access to the widest selection of digital reading content. Since its inception in September 2006, Sony’s Reader Store has introduced a wide offering of new releases, bestselling eBook titles and newspapers. Today it features access to more than one million titles and links to borrow eBooks from local libraries nationwide.


Must say, loved the reference to "turning a page"!!!

Will be interesting to see if there is a backlash. I don't think there will be one although the $9.99 price point has been a brilliant introduction to ebooks. Now we're reading them, I doubt a few more dollars will make any difference whatsoever. Your thoughts?

Is there anything sadder when you want to read?

One of the problems I'm continually facing with ebook reading activities concerns battery life. When you want to read, there's nothing worse than having a Low Battery! message come up on your device. It's actually quite a design flaw on the Sony PRS-700, particularly if you need to use the backlight. The screen has poor reflection due to the touch screen and lighting element so there are times you need to turn on the lighting to read the content without strain. As soon as you do, the battery reduces quickly. Too quickly! Unlike laptops that indicate how much time you have left, or cars that tell you how many kilometres (or miles for those reading elsewhere!) you have left before you need to refill, the Sony e-reader just shows a battery bar. When the battery bar goes to the last quarter there is no warning, no time message, that instructs you to recharge. You have no idea how much time you have left. You can guess, particularly if you aren't using the light, but when you use the light your number is pretty much up. Sorry folks, I appreciate you can't read particularly well with this lighting, here's a light that helps but did I mention it will prevent you from reading? No? Sorry.

As you know from prior posts, reading on planes isn't as fun with an electronic device, particularly as you have to turn it off for take off and landing. These are the times I WANT to read but I can't. I have to be content with reading the airline's magazine - which usually takes me all of 5 minutes! We're still on the runway and I'm craving something to read. Having the Low Battery message is a KILLER! Yesterday I had 90 minutes at the airport to fill before my flight. I thought I'd have a drink, something to eat, and then get back into the book I started to read on my flight up. There I was in the lounge, and the message appeared. I have no charger, I'm not even on the plane, and I'm prevented from reading!

The device was fully charged when I left Sydney on Monday morning. The total flight time was 90 minutes but of course you have to deduct about 40 minutes that you can't use the e-reader. I read on the flight - when we'd reached cruising altitude and were allowed to switch on electronic devices - and that was it. I should have had PLENTY of charge to get through the book, and perhaps another one. But no, I had to use the light prior to the return flight, and my reading plans were destroyed.

No matter what the marketing says - yes you'll get through 5000 page turns before you need to recharge, yes you'll have at least 24 hours without having to charge, yes yes yes - the reality is very different and disappointing when you use the backlight on the Sony PRS-700.

Bring on the Blio

So Baker & Taylor has the next big thing in ebooks according to some industry experts. Blio was unveiled at the Consumer Electronics show in Las Vegas and what's special about this e-reading platform is its "true-to-print display". The software is free and will be out in February to most internet-enabled devices. At this stage we don't know about rights restrictions or territorial issues. When Sony updated their portal recently you had to state your country and there were only a couple of choices... as we know, Australia did not rate a mention as technically it's not on offer here. But I digress...

Blio is a software platform designed for computers, laptops, tablets, and mobiles. It displays books as PDFs in exactly the same layout and design as they appear in print. Because color is preserved, the software may be an especially good choice for illustrated books. This will be nice! Other features include:

* Open your book in 3D “book view” for realistic page turning
* “Text-only” mode for optimal display on small screens
* Display dual pages, or tile multiple pages
* Enlarge text without distortion
* Enjoy a full color, high-resolution display

Blio is a partnership with Baker & Taylor (yes, for those of you who know where I work, that's our new owners folks!). I'll start working my way through the B&T ebook world and see what I can find out. I'm particularly interested to see about library licensing but from the looks of the blio website it's not a library model...at this stage. I still have the words of the CEO of one of the world's largest trade houses ringing in my ear that he is anti-libraries having ebook access to any of his titles but last time I checked, he had them listed with Overdrive which has been already integrated into major libraries here including Brisbane, Gold Coast, Sutherland, Yarra Plenty etc. But yes, I digress yet again.

The Blio platform will have some 50,000 titles available when the product is launched. B&T has suggested they will contribute some 180,000 titles in due course.

Will be interesting to see where the Blio takes us....!!!

A day in the life of an ebook reader

I've just finished an ebook (purchased locally surprise surprise) of The Book Thief. What a remarkable book. Will go down as one of the best I've ever read.

I've been laughing at myself lately because I either forget to charge the Sony ereader, or I don't turn it off properly, and then of course there are the problems with the device when I use the backlight (which chews up the battery). Trust me, I made sure I kept the battery strong for this book as I didn't want to get to a critical point and have a battery warning! There's nothing worse than wanting to read and not having the battery charge to do so...

It made me think about school students. I've heard many stories about (mainly private) schools wanting to have content on ereaders for their students but being rejected by publishers who either don't have the content digitised, don't want to participate, or just don't want to provide it for other reasons (piracy? who knows...). Anyway, I don't know about you, but my experience with teenagers in particular suggests they will lose their ereader, misplace it, forget to charge it etc. I can just imagine the teacher saying everyone turn to page 10 and some people have it on large font, some on small, so the page number is irrelevant. Then hearing cries from several students "miss, my battery is dead, I can't read it". Hysterical!

Of course they could always lose the print copy but you don't have battery issues with the traditional format. You don't risk damaging the whole device if you spill liquid on it. You can take it in the bath. You can read it throughout the flight (there's no "switching off all electronic devices" for the takeoff and landing period). The beauty of an ereader is storage and taking choice with you wherever you go.

Oh and further to my previous post, I had the ereader out and about with me yesterday - in a cafe and in a hairdresser. Only men asked me whether it was a Kindle. All older men - as previously identified - and all had lots of questions about it. Most women glance at it and it really does challenge their opinions. I think there's been half for and half against todate. Most add "I really hope the printed book doesn't die though". Me too folks, me too.

A Supply Chain Perspective on ebooks

For the last five years or so, I've attended the International Supply Chain Meeting at the Frankfurt Book Fair. I thoroughly enjoyed the presentation from Peter Kilborn (BIC: Book Industry Communication) on "The Limits of Technology".

Here's just some of the highlights:

"E-book readers will be introduced in the UK later this year, and have already proved popular with American users. From the Barnes & Noble web site, user comments include: ‘I don’t know how I got along without it’, ‘I will never go back to paper again; the future has arrived and it’s great.’"
(The Bookseller, June 2000)

"Simon & Schuster US has unveiled its first ebooks list. It is the latest in a tide of publishers to enter the US e-book market, which is believed to be on the point of explosion"
(The Bookseller, December 2000)

Yes those dates are not a misprint. He was speaking about how slow the industry is to react and how we respond to change overall. We all know e-books are getting A LOT of coverage, but let's try and keep a few things in perspective.

Kelly Gallagher from Bowker also did an interesting presentation on e-book sales. I'm assuming his figures were for the US but in 2008 e-books accounted for 1.5% of all book sales. In the first half of 2009, this went up to 2.2%. Another interesting stat was that for buyers over 50 years of age, e-books are growing at 183%. Sony e-book readers have an average age of 49.8, Kindle 48.9, PDAs 28.0 and the iPhone 37.9. Device presentation was also interesting - 40% were pure downloads to computer. 26.8% were via the Kindle, 13% from iPhone, 6.4% from the Sony e-reader. So beyond computer downloads, Kindle has the market share.

Thought the feedback from the meeting would enhance this blog and will continue to monitor industry alerts for interesting stats and quotes about this growing - and fascinating - market segment.

Roadtesting the Sony ereader

As many of you know, I took the Sony ereader to Frankfurt this year for the Book Fair. It was an interesting experiment, particularly as it was the longest trip to date and I must admit I was a little anxious as I love to read on longer flights and train rides. My luggage to previous international Book Fairs has included at least 3 books and I must admit, I did take a paperback as insurance!

The Sony ereader was fully charged when I left Sydney airport and there were 45 ebooks on the device including the new one from Audrey Niffenegger, Her Fearful Symmetry. I purposely didn't take the charger on board and regretted this half way when the battery started dying in Singapore! As I've flagged previously on this blog, when the back light is used on the Sony, the battery dies quickly. Knowing this flaw, I use it sparingly but needed to because the light in the business lounge at Singapore airport was not good. I continued reading while I waited for my connecting flight and realised the battery was depleting right in front of my eyes! I wasn't happy about it and ended up putting the reader away.

It might interest you to know that most of the marketing material previously stated the battery lasted around 7000 page turns. If that's the case, I should be getting through 4-5 ebooks with no problem. This is not happening and I must admit, it cheeses me off somewhat.

Apart from the battery, the other problem was not being able to use an electronic device for take off and landing. Of course, on an international flight that can mean the last 30 minutes is without reading material. I was grateful for the paperback I threw into my handbag at the last minute, even if it meant my reading was somewhat interrupted.

Oh and I may have flagged this previously when discussing pros and cons of ereaders, but I enjoy soaking in a tub at the end of a long day and getting stuck into a good book while I bathe. Not having a bath at home, I always look forward to one when I travel. I managed to enjoy the experience only once during the whole Book Fair - on my last night. Of course, it's not wise to take the ereader in the bath (!) and again glad to have the paperback on hand.

But back to the story: The reader charged without difficulty once in Frankfurt, and again when I travelled to Regensburg for some personal time. The time off was particularly interesting as I had to field multiple questions about the ereader, all from German locals. Whether it was someone politely interrupting me on the train "Was IST das?!" to people in cafes or restaurants wanting to know more about it, I was fielding questions left, right and centre. Most of the time I handed over the device and let people use the touchscreen to navigate. It was met with a lot of approval, a lot of nods, a lot of sighs, and A LOT of interest overall.

The demographic was interesting - all enquiries were from men! Several were older, one I would hazard a guess would have been retired, and only a couple were from late teens to university students. I've been talking ebooks for years professionally (mainly for libraries) and having to do show and tell at a more personal level has been a lot of fun too.

On the way home, the ereader was fully charged yet again and I did NOT use the backlight at any stage of the journey. The trip home was longer as I had a 4 hour layover in Singapore. By the time we were preparing to land in Sydney, I had one battery cell left on the ereader. I had read two new books, re-read/scanned through another four, and answered about a dozen questions on the ereader from the general (German) public.

And here comes The Kindle

Amazon has finally announced its Kindle ereader is available to customers outside the US including Australia. For US$279 you can order your Kindle and they'll ship it to you from 19 October. I imagine there won't be a lot of Australian content available for us, as local publishers have been relatively slow to get behind ebooks. Allen & Unwin and Pan Macmillan are two notable exceptions thanks to Elizabeth Weiss and Victoria Nash respectively. These two publishing leaders continue to promote the digital agenda and I don't know what the local industry would do without them!

Mind you, I had to laugh when I read that Don Grover, CEO of Dymocks, spoke about the take-up of devices being driven by content. They were the first retailer to get on the ebook bandwagon (we library suppliers having gotten on it some years back...). But now the ebook kiosk at Dymocks tells a sad, sorry tale. Dismantled and hidden away at the back of the store, it failed to attract a wider audience. Of course it would! If you want to buy an ebook you don't need to go into a bricks and mortar bookshop. That's the beauty of it! Hop online and a few clicks of the button later you have your content. Also, apparently Dymocks sold thousands of Iliads. Ahem. Thousands? A contact at the distributor advised the real figure was much less but don't let us stop you upselling the demand and promoting the uptake of ereaders! We all know it's the future so get your e-reader today folks. Of course you can't get much content but hey, here's a device that you'll enjoy carrying around with you!

And then, of course, there was this beauty from Don: ‘We're finding consumers like the wide screen of a laptop computer instead', he said. No kidding! Didn't we see that all along? Ereaders are great but at the end of the day readers will read on whatever device they use the most - their phone, their laptop, their ereader. Dymocks started the ball rolling but I really do hate to see them drop it.

And for those who have been following this blog: for the record, I'm still reading printed books! However I've got plenty of content (mainly US sourced) on the Sony e-reader. This is the first year I will be taking the device with me to the Frankfurt Book Fair and I must say I'm excited and nervous at the same time. Excited because there's around 46 books currently on the reader, including Audrey Niffenegger's new one Her Fearful Symmetry and nervous in case I have trouble charging the bugger and find I have nothing to read but German magazines I'll pick up while I'm there. My German's good, but not that good!

Oh, and before I sign off this post - perhaps in the months ahead people will stop asking me "oh is that a Kindle" every time I take out the e-reader. No it's bloody not a Kindle. It's a SONY!

Sony Sony Sony

Well, it's in cyberspace. Sony has two new e-readers ready to launch in the US market. The PRS 300 ebook reader will sell for $199. That undercuts Amazon by $100. The larger PRS 600 will have the touchscreen and will sell for $299. I still think it's hysterical that documents relating to the manufacturing of the e-readers were available on the internet prior to the announcement! It was a terrible secret really. Unfortunately the forthcoming e-readers still don't have wireless capability, so Amazon's Kindle still has that key selling point.

From what I can gather, the PRS 300"pocket" version has a five-inch (12.7cm) screen which is smaller than Kindle and other competitors. This smaller version won't play mp3 files, there is no slot for a memory card. I believe it's designed to hold 350 books.

The PRS-700 will be replaced by the PRS-600. The 600 will have the same six-inch screen as but not the built-in light. As you know from my previous review of the PRS-700, the light chews up battery. Steve Haber, president of Sony's Digital Reading Business Division, has confirmed that removing the light will also correct some screen clarity problems it has caused.

The second bit of news was the repricing of their ebook content to $9.99 to match Amazon. Personally, I didn't care about the $11.99 price point - or even dearer - because if I want the content I will pay for it. (The only thing I have to consider is the price conversion to Australian dollars!) I don't have a Kindle, I rarely use Amazon (afterall I have access to an extensive book database day in and day out with my job), and I'm interested in what is available in ebook format through the Sony ebook site. To me, the difference of $2.00 was irrelevant. And I definitely don't give a rat's arse about 4cents, which I believe is the difference between Amazon's Kindle books and Barnes & Nobles new ebooks. Everyone is trying to outdo everyone else!

On the local front I keep hearing mixed messages from Sony re releasing them here. A Marketing Director for a major trade publisher advised they were planning to launch them in September, albeit a soft launch due to the lack of content available in ebook format from local trade publishers at present. I'd assume they'd be looking at the new e-readers? Who knows...

My own enquiries to Sony have received somewhat automoted and impersonal responses. When I responded to the initial correspondence, I received "We have not been updated on any future release dates. This is why we cannot supply you with any particular information. To be honest, we are unsure as to whether the e-book reader will be released in Australia, simply because our head office has not informed us of this." Ah customer service vs customer demand.

It will be interesting to see whether Sony makes any waves in Australia. There are quite a number of ebook readers available now. We hear about a new device every other day and of course everyone always mentions iTunes and the Stanza application as being the focus. Alternatively I hear publishers discuss smart laptops and the Apple iTablet. Who knows where this market will go? It's a moving target in many ways and that also makes it exciting.

The long-awaited Hanlin Review

The poor Hanlin e-reader hasn't been used much in recent times. Once the Sony PRS-700 arrived, it was dropped like a hot potato! I'm finding the Hanlin very difficult to pick up again after the touchscreen experience of the Sony - I keep hitting the screen only to remember I have to ENTER the number of the book I want! Having to enter a number to either bring up a book or even perform a function is a little out-dated I must say. In addition, the menu structure needed work. The ebooks menu, for example, would take you to another menu that appeared by format of the book. I don't recall whether a book is in mobipocket, EPUB or pdf format so I found this functionality useless. Once connected to the laptop, I reworked all the files so it came down to two basic structures - audio and ebook - and I filed everything in alphabetical order. That way when I wanted to read Bram Stoker's Dracula (yes I loaded the file on this device as well) I didn't have to remember what menu it was in. Drove me nuts one day trying to find an ebook I was reading because I didn't know what the original format was nor what menu it was hiding in! In addition, the User Manual on the device and the one that was in the box were poorly written. The translation to English really hasn't worked and you are often left to figure it out for yourself! Some of the other problems with the Hanlin include the blank pages between page changes - they are more obvious/longer than the Sony, the Go to Page function is very poor, as is searching across an ebook. God forbid you lose your page! If it doesn't open at the page you left it at, trying to find your position is a nightmare. You can't scan across like the Sony or do a text search. It doesn't have a keyboard to search on! On a positive note, one of the features I like is the ability to actually change the font. On other devices you can change the size, but the Hanlin lets you choose most times between an Arial or a Times face. The crispness of the text on the screen is better than the Sony. It's stronger. Both of the devices have a long battery life - except the Sony if you use the backlight. Don't use it folks! It drains really fast. The Hanlin doesn't have one, and that's probably a good thing. All in all, the Hanlin reads ok as a basic device, the functionality is no frills, very simple and outdated in many respects. I link it to the Mobipocket ebook portal and I think that works well when reading on the computer as well. It has a lot more functionality than the Sony portal. If only the content was better I'd be a little happier. To compare content go to mobipocket (and check out the Best of on the RHS) and then go to Sony - do you see what I mean???!!!!

A ramble on the EPUB format

As you know from my recent post regarding Random House Australia and their free Wil Anderson ebook offer, I'm a fan of standards for ebooks. Having sat in Supply Chain meetings at Frankfurt and London Book Fairs for the past few years, I'm all for reducing confusion in the marketplace, working to industry standards, and keeping costs of conversions down for publishers. The EPUB format is the one preferred by industry representatives, as it's a natural progression from the PDF - already core to the publishing process. Adobe Digital Editions, the home of EPUB files, is also Sony friendly. Or so I thought....

On the Adobe Digital Editions site, they also offer a few free ebooks to download. Now a few of you may laugh after my recent Twilight ramblings, but I thought I'd return to the classics and Bram Stoker's Dracula was there for the taking. I had already picked it up on the free Mobipocket portal as it is one of the classics readily available through Project Gutenberg. Unfortunately Mobipocket isn't Sony friendly - I can read books stored there on the Hanlin, but not on my preferred Sony e-reader.

Getting Dracula into Adobe Digital Editions was easy peasy (click click) and once I'd hooked up the e-reader to the computer, getting it downloaded to the reader itself was a piece of cake (drop drag). So far so good, but then the read commenced and once again the format distorted on the e-reader. I understand that is one of the challenges of ebooks so I simply tried to change font size and view. In the end I went back to my standard view. The reading experience has been okay to date but every couple of page turns, the text disappears and I have to skip through a blank page. Alternatively half way down the page the text distorts. You get used to it. But it really isn't ideal. It makes you understand why the proprietary formats exist and that unfortunately one size does not fit all.

What's wrong with ebook readers

Where do I begin? Yes, I'm a newcomer to this area and this blog is all about sharing my opinion on ebooks and the like, but there's something wrong when you have to RESET an e-reader so you can continue the reading experience. There's also the slight problem of RECHARGING the e-reader and when you are busy, you don't really notice that battery button going down. I haven't received any WARNINGS that I've got 10 minutes left or something and don't start me on the POWER the Sony PRS-700 consumes if you use the backlight! The REFLECTION can be problematic and the FILE FORMATS distort. I had a business e-book on project management. Picked it up free somewhere on the net. The format was in PDF and was so incredibly small that when I enlarged the font size on the Sony, the entire thing became UNREADABLE. Then there's ebooks I've purchased in proprietary formats like mobipocket that are NOT TRANSFERABLE. The ebook portals are still in their infancy and NEED BETTER SEARCH FUNCTIONALITY. The content can be LIMITED or DELAYED so as a consumer I don't have the choice I would like to have. Very frustrating people!!!!

That's the ramble for today but keep in mind, I'm READING on an e-reader and on the computer. I'm discovering new works and old ones, and LOVING IT! I'll do what's right with ebook readers another day. :-)

The ipod moment is already here

Ebook articles often refer to the iPod moment. Is it just around the corner? There is much debate on the subject and the comparison is inevitable.

Ebook readers aren't mainstream here in Australia. They are still way too expensive and a luxury item (The Iliad sells for $1299 with the 'cheaper' version at $1099 and prices generally start from $500). Sourcing content can be problematic, particularly for new releases and don't even start me on the various ebook formats out there! It's bloody confusing.

As you know, I've been playing with ebooks for this blog - I have Mobipocket Reader and the Sony ebook portal loaded on the computer. Through Mobipocket you have access to Fictionwise and 13 odd ebook vendors. Sony just links to Sony but they did partner with Google to load 500,000 public domain books for free. You can access that content as well through Project Gutenberg. It's there for the taking.

Anyway, I have to laugh whenever I read about the iPod moment. I've only had an iPod for 15 months and promptly loaded iTunes onto the laptop, copying favourites songs from my extensive CD collection and spending a small fortune on new and old songs (especially those classics in my extensive tape collection!). The good thing about iTunes is you can listen to a song for 20 seconds or so and download it. Click, Click, Click it's all easy and accessible. The Genius application is a killer but at the same time it's introduced me to other music, which I've enjoyed. It's also cost a small fortune over time but as a music lover, it gets used frequently. As does the Mastercard.

Ebook portals offer pretty much the same process, but their preview functionality still needs work. US$11.99 for this book, specials, collections, free books. It's click, click and click and all that content is downloaded. Just like iTunes. Only dearer!

There's another problem. The average song time is 4 minutes. You can download 15 songs and have an hours entertainment. Books take time to read, particularly when you are a busy professional. So I have the dilemma, a few easy clicks, and I have the content (and an ever increasing Mastercard bill!). I already have more than a dozen printed books waiting to be read. I now have the same on the e-reader or in the ebook portals on the laptop (for those that won't transfer to the e-reader). I don't need more content. I need a time management system! NOW!

Oh, and if you can have a word in the ears of the nice people at Mastercard, I'd be most grateful....

The curious reader

What an interesting week it’s been. The Sony e-reader has created such curiosity whenever I’ve taken it out of the handbag and started reading. Last Saturday I took the e-reader to the hairdressers. I’m usually there around 2 hours while I have my hair cut and coloured. My hairdresser and colourist are used to me bringing a book and reading while I wait. They usually ask questions about what I’m reading and whether I would recommend it. They both nearly fell over when I showed them the handheld device!

Located in the swish Chatswood Chase complex, the salon had around 30 customers and several began talking to me about the e-reader. A few were noticeably horrified but one lady in particular spoke about The Kindle and the impact it’s made in the U.S. Why didn’t buy that? I explained it wasn’t available in Australia. What made me buy the device I was reading on? I had to explain I work in the book industry and had two e-readers for a project. The Sony e-reader wasn’t available here either but I’ve heard rumours it may be towards the end of the year. A few customers wanted to know what was available and the price of them. I answered all the questions that were fired at me however no one had a burning desire to run out and buy one there and then. But those who were asking the questions were obviously interested – or overly concerned, I couldn’t really tell. Was it because it was a new gadget? Something to admire, to be envious of, to be interested in.. Who knows, but inevitably the conversation would take one of two directions. Either “not sure I like it”, “can’t see me reading from it”, “I’m sorry I just love a book”, “the book is really dead then” OR “it will be great for travelling!” and “that will solve my [book] storage problems!!”

At the beautician a few days later, the young 18 year old behind the counter couldn’t contain her interest and was by my side in two seconds! “Oh MY GOD! Is that an ebook!? Where did you get it? Do you think it will eventually replace the book? AWESOME!” There was a different awe right up until I told her the price of e-readers in Australia. She just sighed.

Then today while waiting at Pattisons in St Ives for a coffee before work (I mention Pattisons purely because if you know it, you’ll know the queue that forms each morning for coffee!) my docket number was 100. They had just called 86. So what does a girl do while she waits? Well she pulls out an e-reader that's what! I could feel eyes looking over my shoulder and while I read Michael J Fox share his thoughts about politics, stem cell research and Parkinsons in his book Always Looking Up, I heard two women next me talk about reading and how kids don’t like to read anymore. They discussed the books they were currently reading. They said loudly how much they love a book. I hid my grin because they were so obvious! I was a traitor. How could I?! I should be shot. What they didn’t know was that I work in the book industry, I’ve worked in it for nearly 20 years, and I wanted to shout at the top of my lungs “hey I love a real book too but give me a chance, I’m trying to understand the appeal of an e-reader and is it really the future?”

I can’t deny there is an appeal but will it cannibalise print sales or bring in new readers? The more I live and breathe ebooks the more I think a percentage of readers will move over to electronic devices – e-readers, mobile phones, whatever takes their fancy – but ebooks will appeal to a new audience, another layer of reader. The critical factor will be what content will actually be available, the price, the release date, and whether it’s in the format you – as the customer – prefers to read from.

Sony e-reader review

I'm currently trialling the HanLin and the Sony PRS-700 e-reader for an ebook project at work. When I started this blog I thought I'd review the HanLin e-reader first, but it's actually the Sony one that I'm reading more from at present, so it's going to end up reviewed first.

So my first thoughts about the Sony? Easier to use and more modern than the HanLin. Unfortunately the screen isn't as clear and the reflection from lights is annoying. You can't change the font - only the font size. The touch screen is good, I like it a lot. The main menu has the Continued Reading button, Your books, Your notes, Collections, Audio, Pictures and Settings (see image). I think the picture option is stupid, as the e-reader doesn't come in colour. Why would I want to look at a black & white picture? Not sure what Sony was thinking here! Once a title is selected, it's easy to set up how to turn the page. You can use the buttons or the touch screen. I'm actually using the stylus that came with it and you can set up what direction you'd prefer when turning the page. Once reading you can increase the size of the font to suit your needs and if it's your cup of tea, you can change to landscape. I'm finding the search function works well as does the Go To page. I haven't really used the Notes component but I played around with it, and no issues there. The synching from the Sony ebook portal isn't as good as I would expect and they have a bit more work to do until it has the same functionality as iTunes, for example. My main concern relates to the downloading of ebooks to the reader and for me, it's not as obvious as I would like as to whether the books have successfully loaded onto the e-reader. I need to keep playing with the type of books placed on the reader and moving content on and off the device so I am more familiar with the process. Lastly, the battery life is not as good as I would expect. The website says it lets you turn up to 7,500 continuous pages (or up to 2 weeks reading) on a single charge.. However if you use the built-in light, it chews up the battery very quickly. I would not recommend using it unless absolutely essential.

The Sony e-reader was sourced through our office in Portland Oregon. I believe it cost around $350 U.S. from the Sony website exclusive of shipping and extras like the charger (although you can charge by connecting via USB to your computer). The U.S. website advises the eBook Store is limited to U.S. and Canadian residents so my address is c/o our Head Office and I used my hotmail address so it would not impact on my project. I hear rumours Sony Australia may be launching towards the end of the year but have concerns about what product will be able to be sourced from them. Will they be creating a Sony Australia ebook store? I haven't heard from any publishers about being asked to provide Australian content. I DO know some trade publishers have made the Sony e-reader available to their publishing and senior sales/marketing staff. I can imagine how brilliant it would be when assessing manuscripts - no more paper, just the electronic file downloaded to the reader. Portable, paper-saving, easy access. Makes sense. And it also helps publishing staff become familiar with the device and thinking about the reading experience overall. So far, I've only heard a few publishing contacts mention they may move to reading all their books electronically but most in the publishing industry love the look and feel of a book. I'll continue this train of thought somewhere in future..... that, and a review of the HanLin. The one I thought I'd review first!